Archive for the 'Dance History' Category

Long Live The King

We all knew it would come some day. And, likely someday soon. After all, he is was no longer the spry and lively 87-year-old he once was. But why now? Only a month before his 95th birthday festival? With so many Lindy Hoppers still needing to look at him and remember what it’s all about? When we simply weren’t ready to let him go? (We’d never really be ready, unless he was in pain.)

If you’re reading this today, you’re a very special person. You are a part of the last generation of Lindy Hoppers who will have danced during the time of Frankie Manning. So, hopefully you had the opportunity to take a class where he addressed all the women in the room as “the beautiful ladies,” or stood behind him in a shim-sham, or saw a smile blossom on his face, which all have a similar effect.

If you don’t know who he is, his dance resume is pretty incredible. He introduced air steps, the “bent over look,” and women’s swivels into Lindy Hop, along with countless other moves we still do today. He was known as the biggest thief in the Savoy Ballroom, stealing moves and changing them before anyone would realize he had done it. He choreographed the greatest group Lindy Hop footage we have. And he taught the world to Lindy Hop, even in his eighties and nineties. But the important thing about Frankie Manning is how these accomplishments pale in comparison to the person you met when you shook hands with him.

Here was a man who performed across the world and talked to kings and queens, at a time when only well-off white Americans could afford air travel, and black men from Harlem were hardly ever thought worthy to shake hands with anyone of a different color. Here was a man who worked in a post office for 3 decades when the dance and the music he loved couldn’t support him anymore, and without a complaint. Here was a man who had his own share of personal problems, on top of all the social problems he faced, and yet, when you saw him smile, it was as if he hadn’t a care in the world. When you met Frankie Manning, you didn’t just see a great dancer. You saw a great man.

Before a few days ago, I often joked that Frankie was a benevolent godlike-being who was slowly having his body parts replaced with stronger, longer-lasting robotic ones. It was part of a childlike fantasy that I’ve allowed myself to actually believe—that perhaps Frankie would outlive us all. He already seemed younger than most people I know—he laughed the way an eight-year-old boy would, and giggled about women. He even swung-out young. He would bow to the queen, scrunch his shoulders and send her out with a smile. No pretension. No trying. No worries.

But the past few times I’ve seen him in public, I’d notice his mouth would sag into a frown, and his eyes looked heavy. At his age, even if you’re in the best of health, it seems like the secret is to avoid finding yourself in a hospital bed. But that’s a really hard thing to do. Medications and illness are unavoidable, and trying to fix the smallest things can easily become deadly to a 94-year-old. It had nothing to do with his birthday party, I tell myself, it was nothing we had control over.

I also have to keep reminding myself that death is only sorrowful for those who miss the dead. For the dead, it is probably some form of sweet, deep sleep. Though Frankie smiled like he didn’t have a care in the world, I suspect he had many cares. There is some form of peace in knowing that he does not have those worries anymore. And, if the deaths that are the least painful to us are those who have lived a life full of love, joy, great experiences and great accomplishments, I can’t think of a better candidate than Frankie Manning.

In France and England, the death of a king was heralded with the phrase “Le Roi est Mort. Vive le Roi!” or “The King is Dead. Long Live the King.” What seems like a spiritual contradiction was really simply a political statement: Once one king was dead, the heir to the throne immediately became king, so that no country was never for a moment without it’s rightful ruler. I however, prefer the spiritual contradiction. The King of Lindy Hop died April 27. But his spirit will live forever in those who know how to swing.

Frankie, we miss you already, and we really can’t thank you enough. Hopefully we can repay you by carrying on not just your dance, but your attitude, with us always. Sleep well.

Three Men and an Idol.

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Archive for the 'Dance History' Category

Why we love Frankie Manning!

Frankie Manning appeals to folks to open up their homes to visitors coming into town for the Frankie Manning 95th Birthday Festival.

Read what our writers think about Frankie. (more…)

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Archive for the 'Dance History' Category

Frankie’s 95th - Can’t Stop the Lindy Hop

Coming up May 21st to the 26th, Frankie Manning’s 95th birthday celebration is being held in NYC.

This is not an event to miss with performances and tributes by top dancers from all over the world, great live music and support from the entire lindy hop community.

This celebration is not just about the 95 years Frankie has lived but also the amazing gift of dance that he helped create.  Lindy Hop has influenced so many peoples lives and this is an event of appreciation.  To show Frankie how much impact he has had on the world.

If you haven’t read Frankie’s book it is a must read for anyone who dances Lindy Hop. Frankie Manning: Ambassador of Lindy Hop

Thank you Frankie!

If it’s not on your calendar it should be.  May 21st - 26th, New York City.

Are you going or performing for the 95th?  Comment.

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Archive for the 'Dance History' Category

Clip Tour with Nick Williams

This is the second part of a two-part feature with World Lindy Hop Champion and Balboa Mastermind Nick Williams. For this part, Williams, an avid “clip collector” and swing-dance historian, takes us on a brief You Tube tour of some of his favorite clips, and discusses how much of modern swing was shaped by Harlem, Hollywood, and a few jitterbugs practicing on a beach.

DAY AT THE RACES

NW. “A Day At The Races” is so significant because it’s the first time Lindy Hop from Harlem was performed in a major motion picture. If you notice the lack of aerials in the clip which is from the year 1937. It was the beginning stages of air steps in Lindy Hop. The focus is on dance and mini routines for the most part. Personally I’ve taken a lot of material and routines from this clip. I haven’t taken as much styling from this clip because it of the simplicity in this clip and the fact that I prefer how the dance developed in the next few years.

Referring to your styling comment, I’m always amazed, looking at this clip after becoming a studier of swing dance, how “raw” the dancing is, [not necessarily related to the somewhat ambiguous term "raw" style dancing.] There’s definitely a lot of refinement that happens between this and the Whitey’s dancing only a few years later.  I don’t think it’s bad dancing, it’s just fascinating to see. (more…)

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Archive for the 'Dance History' Category

Aba’s Event Review: Bal Jam 2008

Bal Jam (4 stars – out of 5) by Abigail Browning

This year marked the third semiannual Bal Jam, the premier Balboa dance weekend sans workshops.  Run by Bobby White and Kate Hedin, but hosted by the Philly Bal dancers, notably Jenn Scricco, this year proved to be a marked success.  A well-organized event, the strongest ingredients in this Bal Jam weekend were the music, the venues, the caliber of dancers and the addition of the “Afternoon Dance Colloquium.”

Watch David Rehm and Kate Hedin dancing in a milk crate. (video by Kevin J. Voss)

(more…)

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Archive for the 'Dance History' Category

Al Minns: A Dancer’s Dancer

We’d like to welcome Bobby White to the Lindybloggers.com writing staff.  Stay tuned for more contributors in the weeks to come.

Author’s Note: Whitey’s Lindy Hopper Al Minns is not often talked about as much these days as much as his mentor, Frankie Manning, or his peer and performance partner Leon James. This essay was composed for the Jam Cellar Almanac as a way to remember Al Minns, and explore why he deserves to be remembered.

First, a little history; and sadly, that’s all we have about Al Minns—a little.*

He was born Jan. 1 in 1920 and died in 1985. As one of the youngest dancers in the Whitey’s Lindy Hoppers, he quickly excelled to the top team, headed by Frankie Manning. He wasn’t, however, one of the first four leads asked to do the famous choreography for the film “Hellzapoppin.” When one of the couples repeatedly blew off practices, Frankie replaced them with Al Minns and Willa Mae Ricker. Let’s watch it: (Al and Willa Mae are the third couple).

(more…)

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